COLD SHOWERS

The play premiered in 2006 at the Komödie Kassel and was performed there in over fifty shows.
In 2008 it premiered with great success at the Warsaw Comedy Theatre, remained in the repertoire there for two seasons, and was presented on tour in many cities.
In 2010, "Cold Showers" was invited to the Comedy Theatre Meeting in Katowice.
The play premiered in the Slovakian capital Bratislava in the spring of 2017 and is still being performed there today.
Original in German. Available in English, Polish, and Slovak.
PERSONS
Paula van den Most – marriage counselor.
Clemens – her husband, an architect.
Petra Meier – Telephone Operator.
Klaus Meier – your husband, pyrotechnician.
Mikka – the hotel's night shift.
Location: A hotel room in France
ACTION
In order to sell their holiday home, the prominent television psychologist Paula van den Most and her husband Clemens, an unsuccessful architect, embark on a journey to Spain.
The stopover is a run-down hotel in the southern French province.
The two are only married on paper; they live separately and swore before setting off not to argue. After twelve hours of stony silence in the car, this vow can no longer be kept in their shared hotel room.
(there was only one double room left)
Familiar grievances, new and old accusations, are dredged up from both sides, and poison arrows fly back and forth.
Nevertheless, Paula compels her divorce-seeking husband to maintain appearances – because what would happen if she, a relationship guru who advises the entire nation on marital matters, had to announce that her own marriage had failed? “The cameras would go off – and who would feed us then?!” – At the height of the marital war of attrition, a German couple appears in the room, who, according to the management's instructions, must share the Van den Mosts' bathroom because theirs is currently out of order.
Paula is immediately recognized by the two intruders and hailed as the savior of their marriage. And indeed – everything Paula preached in her many television programs seems to have been put into practice by this couple: full of love and understanding for one another, they repeatedly cuddle and caress in the room of the quarreling couple, and the desperate Clemens, yearning for sincerity, is forced to play the part of a fairytale of a harmonious marriage.
In this dilapidated attic, lies and cheating are so rampant they make the beams bend.
One man who doesn't resort to tricks or deception is the gay night porter Mikka, who, precisely because of his honesty, becomes a victim of the scheming married couples. But gradually, triggered and driven by Clemens, the facades begin to crumble, and towards morning, after all those involved in this barrage of lies have received their icy thud, the man and woman stumble out into an uncertain future, one that will certainly be more honest than what lies behind them.
A chance for a new beginning? That's for each viewer to decide.
REVIEWS

A comedy that borders on farce, and with constantly increasing tension, powerfully culminates in a magnificent finale.
(Anna Broniszewska - Dziennik Teatralny Katowice)
Fred Apke is known for his insightful observations of human behavior and interpersonal mechanisms.
The performance of "Cold Showers" at the Warsaw Comedy Theatre is perfect confirmation of this.
(Magdalena Zaliwska - Polskie Radio 1)
"Cold showers" – strangely creepy.
Fred Apke's comedies are far from relying on stereotypes. While we laugh, they also create a kind of guilt, because we are laughing at and with characters who otherwise wouldn't deserve our sympathy.
They irritate us; we can't simply like them uncritically.
It seems as if the German artist is realizing Gogol's maxim:
Who are you laughing at? Yourselves!
(Jacek Wakar - Dziennik )
Lively, with many witty dialogues, intelligent mix-ups and surprising entanglements, this refreshing comedy
their course.
(Neue Westfälische)


A turbulent and witty rollercoaster ride through the chaos of human love relationships.
(HNA)

A lighthearted comedy? Yes and no!
Let's call it a boulevard comedy with a rather unusual twist – because the humor here stems from the tragic.
(Kassel Culture Magazine)